During Christmas of 1985, friendless 8-year old Bostonian John Bennett (Bretton Manley) makes a wish for his toy bear to come to life. When it does, "Ted," as he's known, becomes a national sensation, inspiring wonder and surprise in people everywhere and even appearing on late night talk shows. However, while John and Ted remain best friends, the rest of world soon loses interest, and 27 years later, 35-year old John (Mark Wahlberg) and Ted (now voiced by Seth Macfarlane) are just like any other regular guys. John has a near-dead-end job as a menial sales clerk at a rent-a-car site, and he regularly lazes around, drinking beer, watching TV, and smoking pot with his fluffy, foul-mouthed, now baritone-voiced roommate. John's one saving grace, however, is his girlfriend of 4 years, Lori Collins (Mila Kunis), a PR exec who reluctantly tolerates her boyfriend's slothful, childish lifestyle when not escaping advances from her lecherous boss, Rex (Joel McHale). However, when she realizes that Ted is squashing John's sense of maturity and growth, her patience slowly begins to wither away, and soon enough John must accept a touch choice: it's either Lori or Ted.
The initial, fantastical premise of the story may remind some viewers of other similarly-themed movies: Pinocchio (1942), Donnie Darko (2001), and Mel Gibson's recent dramedy, The Beaver (2011). However, unlike the respectively more serious films, Ted is raunchy and humorous, and not unlike "Family Guy" and "American Dad" (his other animated TV series), Macfarlane's style of comedy--straight-faced surrealism, is ever-present in Ted. Macfarlane, known for his ludicrously intelligent, unapologetically subversive and politically incorrect, socially-critical sense of humor, is an equal-opportunity offender, and his Brechtian style of occasionally uncomfortable, expectation-defying comedy is also ever-present in Ted as well.
In addition, fans of Macfarlane will also find many other "Family Guy"-like tropes in Ted: cutaways and random digressions, outlandish fight sequences (sorry, no flashy Broadway style musical numbers though), pop-cultural celebrity bashing, homages to the 1980s (especially Flash Gordon and Star Wars), and, of course, fart jokes. That being said, Ted also veers dangerously far away from Macfarlane's unique style of humor and crosses over into the contemporary, commonly-covered ground of Apatow-Like Comedy; comedy that is rife with gross, outrageous gags mitigated by earnest sentiment, intentional bad singing and dancing, and verbally shocking dialogue. Thus, as a stand-alone film, it is hard to judge the quality of Ted.
However, fans of either style will find broad strokes of both in Ted, and it is thus likely that many viewers will be pleased with Ted as a casual adult, summertime comedy. Everyone else, though, will probably view it as just a bunch of plushy fluff and ignore it altogether.
Providing a sufficient amount of genuine laughs, though, I give Ted a 6.5/10.